It is official, Premiere 6.5 is available from My review of the new features; 1. Real Time Preview works great on my XP1700/OHCI. If you put too many effects and/or your processor speed is not enough, the preview begins dropping frames, but does so gracefully. As an example of the power of this feature, I have made a 14 minute Quicktime movie on editing a 2 camera wedding in realtime using only 4 keys and no mouse! Because this movie shows 2 DV streams within the movie, it is a little larger than my usual fare and I have made it avaiable by download only. It is 18 MBs and available at The link is in the center of the page. The real time preview is analog only and wont feed out via firewire.
You will need an $500 capture card for that. 2.Adobe Title Designer is great! Professional quality graphics using one of 300 templates or dozens of font libraries. Graphics are created over the video on the timeline (the frame displayed can be changed!) and previewed to your TV from within the Title window (OHCI). Full Bezier capabilities to create any shape imaginable. Adobe Mpeg Encoder; Faster and better quality than any software encoder with the possible exception of Cinema Craft full version. Presets available produce great results without getting into advanced settings or convoluted frame searving routine.
TC Works 3 new audio plug-ins. Finnally audio plug-ins that have presets to get you close without fiddling and guessing. 5 new After Effects plug-ins; Ramp and lightning are really neat. Also owners of After Effects can copy 10 more plug-ins into Premiere 6.5. Not advertized, but compatibilty for editing Mpeg 1 and 2 is there, although not to the extent of DV. There is a field switch issue when editing MPeg2 for DVD, but not a real problem if you are aware. Overall; If you have Cinema Craft full version, a real time capture card and Title Deko Pro or Title Motion it is probably not worth upgrading.
If not, try buying all 3 for $149 (the cost of the upgrade)!! For a.5 upgrade, Premiere 6.5 is a solid value for most of us. If thats still not enough, STAY TUNED! Hi Mike (Velte) If thats still not enough, STAY TUNED! 'Stay tuned?' Can we infer from this that the yummy new version 7 is not far behind? And if so, what was the point of releasing 6.5?
They must have anticipated that we who had been holding off on FCP, hoping for a major upgrade from our favourite creative software company, would have been severly underwhelmed? I'm seriously looking at FCP now, whereas this time last week, I wasn't.
Most disheartening. I really want to use an all-Adobe workflow, but I have a living to make.
All the best, Peter. 'The real time preview is analog only and wont feed out via firewire.' What the heck? Are you kidding?
The pdf file from Adobe says otherwise. To quote Adobe: 'One of the biggest benefits real-time editing in Premiere offers is the ability to see real-time previews on external video displays as well as on your desktop monitor, so you can see how your edits play on external NTSC monitors with FireWire and IEEE 1394 connections.
Note: Real-time playback is designed to take advantage of today’s faster systems. Playback frame rates and quality degrade gracefully on less powerful systems.' So what's wrong with this picture? It says Firewire and IEEE1394 connections. Usually, when it's mentioned with just those words and terms, they are referring to OHCI. But you said the realtime preview won't work through an OHCI card.
Please verify this! Because on the DV500 webboard everyone is assuming realtime to OHCI previews by attaching the cam inbetween and then to a monitor. I saw Adobe demonstrate the beta of Premiere 6.5 at the Videomaker Expo East in the New Jersey Meadowlands Sheraton today. The realtime is NOT to the firewire connection. He did say that DVStorm users would see output from their analog ports, and that there were other capture cards with the same capability. If it was to the firewire port, then all capture cards would be less necessary. And, I am not certain that is in Adobe's best interest at this time.
Just a guess. The demo ran well, and even though it was made clear that he was working with a Beta version, and there were bugs still to be worked out before they start shipping, I thought it looked pretty darn good.
Steven Adobe Premiere 6 / After Effects 5.5 / DVStorm / Hobbyist. 'Even cards like the Pro-one, Rt2000/2500, DV 500, Raptor dont offer real time DV preview, only analog. Only the Storm claims that.' I would like to limit any discussion of the 'realtime' cards as when a company lists features to IEEE1394 and firewire in their pdf file without specifics, I tend to think they are referring to OHCI cards, not proprietary cards like Storm. I have a DV500, which really is OHCI compliant (nice long thread on Pinnacle forum with specifics), but that's beside the point also.
I downloaded the Premiere pdf file from Adobe on 7-22-02. It is about 2510 KB. So did a few other people on the DV500 forum commenting on the same 'quote.'
At the top of page 2 of this pdf, here is a copy and paste which I have just done: '2 One of the biggest benefits real-time editing in Premiere offers is the ability to see real-time previews on external video displays as well as on your desktop monitor, so you can see how your edits play on external NTSC monitors with FireWire and IEEE 1394 connections. Note: Real-time playback is designed to take advantage of today’s faster systems. Playback frame rates and quality degrade gracefully on less powerful systems.' Again, with such general terminology, this must mean 'OHCI IEEE1394', not 'proprietary.' Besides, Storm isn't realtime to DV either when using NON-Canopus effects. So even that wouldn't satisfy a blanket 'realtime' statement.
So here we are, looking at Adobe's quote. Beta tester or demo witnesses here are saying it doesn't do it. When I commented on the feature at WWUG, a P6.5 beta tester (Terry Stetler) there didn't dispute it, but said his Matrox card already did realtime to firewire in P6. 'I have been all over every PDF at Adobe and have not seen this.'
You waited too long, simple as that. The file has been changed now.
Jerry Jones on WWUG and people on the Pinnacle forum had seen the PDF mentioning the realtime to firewire. The PDF download was in the new features section of the Premiere area of the Adobe website.
It has been replaced with a new 3.5MB PDF download that gives no mention of realtime to firewire. It looks like some sort of scam. If in fact, Premiere 6.5 doesn't have the feature which they had quoted in the original PDF file I downloaded, then it's certainly not worth the upgrade.
VV3 already has realtime preview to firewire/OHCI, and MSP7 will have it also. Ahhh, but you're taking that out of context of the whole paragraph.
Considering all the editing that can be done with Premiere, it sure would be stretching it to call a 'straight cut' the limitation of its previewing! And even then, if you had combined mjpeg source video on the timeline, it wouldn't preview your cuts through a firewire card until it has been rendered to dv, so that wouldn't be realtime even for straight cuts! And Premiere 6 could already do that, so it wouldn't have been a new feature. It just likes a totally misleading statement from Adobe, and I don't see any retraction or correction on their site, they just replaced it as if they wanted to cover it up. 'One of the biggest benefits real-time editing in Premiere offers is the ability to see real-time previews on external video displays' Adobe must have realized it was incorrect because they've removed it. Whatever a lawyer wants to arguee is irrelevant at this point. Users reading that statement took it to mean just what it says.
'real time previews.' And I was posting about this at different forums, so now am having to retract my statements as well. Combined with lack of scene detection also, Adobe is getting left behind.
I have no idea why Sonic Foundry doesn't list their realtime previews as being able to go out to firewire. I've used VV3, so I know it does it. They talk about it in the SF forum also. That's one of the biggest things about that product that other software/OHCI combinations can't do, yet they fail to make a point of it on their site!
Jerry in the WWUG says MSP7 is supposed to have the feature also. Hopefully so, 6.5's instant play was a disappointment. Its a little off topic.
Well actually its a lot of topic. This is not intended to be a loaded question. I really am this ignorant and am struggling to get a grasp on the NLE thing.
I downloaded a demo of VV3 last night and seemed to get much better audio filtering and it seemed to support a noise reduction plugin which I also downloaded. I tried to fix the audio in the same clip in Premier and wasn't as successful and it seem more difficult to use. This alone makes me wonder if I shouldn't switch.
But the video portion of the program doesn't seem as user friendly (or maybe I just have to learn how to use it) and so I am reluctant to switch just yet. So back to my question. You made a statement that lead me to believe that you use VV3 and you also seem to be a user of P06. Why do you use both programs? Is one stronger in some areas and weaker in others? One easier to use?
Thanks, Richard. Premiere 5.1 came with my DV500 and I got a free upgrade to Premiere 6. I got Vegas Video 3 standalone. Premiere supports some plugins I have. Vegas Video 3 only supports plugins which are designed specificly for it.
Realtime cards integrate directly with Premiere, none integrate with Vegas Video 3. Vegas Video includes a Sonic Foundry developed high quality DV codec, however, it is not available outside of the Sonic Foundry application. Vegas has a higher resolution of audio and video editing/rendering (more accurate, less quality loss.) Premiere allows you to frame serve directly to 3rd party programs like TMPGnec.
Editing itself is quite different. Sonic Foundry's JKL scrubbing takes a while to get used to, but a lot of people claim they can edit faster in Vegas Video.
Vegas allows realtime previews to OHCI so you can preview on an external monitor without having to render first. Of course this takes a heap of processor power and will drop frames as needed to show the effect. Speaking of which, Vegas Video is lacking when it comes to 3D transitions. There is a seperately available product you can addon from the SF site for 3D transitions.
You can also download your diagrams in a variety of image formats for web sharing or printing. If you are using Google Apps, you can integrate your domain with Lucidchart and organize your team from there. Microsoft visio professional 2007 torrent. Try posting a funny flowchart on social media, or share a sensitive document securely through email. Simple sharing Since Lucidchart is hosted on the web, sharing is that much easier. We also offer an easy-to-use team admin panel.
SF claims dual processor DV support in Vegas Video, but I've found it makes very little difference between 1 and 2 processors. The exception to that is that you can run multiple instances of Vegas Video at the same time, so you could have one session rendering while working in a second session, and they would use seperate processors. MSP7 might be interesting. I'm still waiting for the perfect editor.
If you really want to use a realtime card, you're pretty much stuck with Premiere or proprietary vendor apps sold with the card.
This Course can only be played using a subscription. You can play only first 3 chapters for free. To avail a subscription Adobe Premiere 6 is a wonderful application for video editing, both on Mac and PC. It is used for capturing digital and analog video, editing it, adding special effects, graphics and titling, and for outputting back to video. Mark Schaeffer gives an overview and goes over the interface of Premiere in this Virtual Training Company tutorial. After covering the basics, he will teach you many editing techniques, as well as filters, transparency, and exporting.
See what you can learn by clicking one of the chapter links below.
. User Guide Supplement. Please remember that existing artwork or images that you may want to include in your project may be protected under copyright law.49 Using the Adobe MPEG Encoder (Windows only). Adobe provides a variety of options for you to learn Adobe Premiere, including printed guides, online Help, and tool tips. Using the Adobe Online feature, you can easily access a host of continually updated Web resources for learning Adobe Premiere, from tips and tutorials to tech support information. See “Using Web resources” on page 4. If you are an experienced Premiere user: Check out the new Adobe Title Designer to see how you can expand your creativity with.
titles. See “Opening a new or saved title” on page 10. Using online Help Adobe Premiere includes complete documentation in an HTML-based help system. The help system includes all of the information in the Adobe Premiere 6.5 User Guide Supplement, the Adobe Premiere 6.0 User Guide, plus information on additional features, keyboard shortcuts, and full-color illustrations. Note: Tool tips are not available in most dialog boxes. Using Web resources If you have an Internet connection, you can use the Adobe Online feature to access additional resources for learning Premiere located on the Adobe.com Web site.
From the Adobe.com home page, select Digital Video Products. Adobe Online updates bookmarks and buttons so you can quickly access the most current content available. You can use preferences to automatically refresh Adobe Online.
When you set up an Internet connection to Adobe Online, Adobe can either notify you whenever new information is available through the Updates feature or automatically download that information to your hard disk. files or were notified of them. Select All Updates to view all the files on Adobe’s Web site that are currently available. To see a description of a file, click on a filename and view its description in the Item Description section. For more information, refer to the technical support card provided with the Premiere documentation. Customer support on Adobe Online Adobe Online provides access to the Premiere Knowledgebase, where you can find answers to technical questions.
Additional customer support resources Adobe Systems provides several forms of automated technical support:. Chapter 1: Using the Adobe Title Designer In Premiere 6.5, you have the ability to design complex titles with the Adobe Title Designer. With the Adobe Title Designer, you can add a variety of attributes to titles, use various templates to design titles, freely manipulate shapes in a title, and create custom styles that you can save and use with other title documents. Like any other clip, it doesn’t become part of your video program until you add it to the Timeline. You can work with more than one open Adobe Title Designer window at a time, and use a title in more than one project. New titles saved from the Adobe Title Designer appear in the active bin in the Project window. User Guide Adjusting values by using hot text controls The Adobe Title Designer uses special hot text controls for adjusting values as you create object styles and perform transformations.
Hot text controls are underlined, interactive values that make it easy to adjust values without entering text in pop-up dialog boxes. Using the Adobe Title Designer Using templates The Adobe Title Designer includes over 200 templates that provide you with title area configurations to help you build a title. For instance, some templates include art that may be pertinent to your project’s subject matter. Other templates have special designs, such as letterboxed or pillarboxed drawing areas. Sync to Timeline button to display the frame at the edit line in the Timeline and update the timecode to reflect the frame’s location on the Timeline. If you add new footage to the Timeline at the targeted time, the Adobe Title Designer displays the new footage.
In the Adobe Title Designer, click Sync to Timeline Understanding safe title and safe action margins The safe title and action margins in the Adobe Title Designer drawing area designate the title’s visible safe zones. You can set display options for these zones in the Titler preferences dialog box. To turn safe title and safe action margins on or off: Do one of the following: Choose Edit Preferences Titler (Windows and Mac OS 9) or Adobe Premiere 6.5. Preferences Titler (Mac OS X), and select Show Safe Title Margins or Show Safe Action Margins to turn them on. CHAPTER 1 Using the Adobe Title Designer The Adobe Title Designer recognizes each text or graphic element you create as an object.
You can apply various styles to these objects to enhance the look of your titles. For more information on applying styles, see “Using object styles” on page 30.
When you are finished, select the selection tool and click outside of the text box area. Selecting and moving text Controls in the Adobe Title Designer make it easy to select and move your text. To select a text box: Using the selection tool, click a text box.
The Adobe Title Designer includes a font browser, which displays all of the installed fonts in their typeface. The Adobe Title Designer applies the font you select in the font browser to the selected text object. The font browser lets you quickly preview different fonts in the open title. For more information, see “Using tabs” on page 46. Creating objects with the drawing tools In addition to creating text objects, you can also use the drawing tools in the Adobe Title Designer to create a variety of shapes such as rectangles, polygons, and ellipses. Working with the pen tool The Adobe Title Designer includes standard pen tools that resemble those used in graphic design applications such as Adobe Illustrator and Adobe Photoshop. Use the pen tools to create an object of any shape, including straight lines at any angle or smooth flowing curves.
ADOBE PREMIERE 6.5 User Guide To draw straight segments with the pen tool: Select the pen tool. Position the tip of the pen point where you want the straight segment to begin, and click to define the first anchor point (do not drag). The anchor point remains selected (solid) until you add the next point. CHAPTER 1 Using the Adobe Title Designer always has two direction lines that move together as a single, straight unit. When you drag the direction point of either direction line on a smooth point, both direction lines move simultaneously, maintaining a continuous curve at that anchor point. In comparison, a corner point can have two, one, or no direction lines, depending on whether it joins two, one, or no curved segments, respectively. ADOBE PREMIERE 6.5 User Guide Drag to create direction lines that determine the slope of the curve segment you’re creating.
In general, extend the direction line about one third of the distance to the next anchor point you plan to draw. Shift-drag to constrain the direction line to multiples of 45 degrees. Adjusting points and curves The Adobe Title Designer includes tools for modifying existing paths. You can make adjustments to a path at any existing point in the path, or you can add and delete points to refine your adjustments. ADOBE PREMIERE 6.5 User Guide To adjust a control point: Select the path containing the control point.
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Select the pen tool Position the cursor over the point, and when the cursor becomes an arrow with a square next to it, drag the control point to adjust it. To place a logo in a title: Choose Title Logo Insert Logo.
The Adobe Title Designer imports the logo at the size it was created. Drag the logo to position it where you want. If necessary, adjust the size, opacity, rotation, and scale of the logo.
Use the Align and Distribute commands to line up or evenly space selected objects in the Adobe Title Designer. You can align or distribute objects along the vertical or horizontal axes. When you choose horizontal alignment, the selected objects align along the edge of the objects’s horizontal axis closest to the edge you choose. To adjust various global properties of the objects, either drag their control points in the drawing area, use the controls in the Transform section of the Adobe Title Designer, or choose a command from the Title menu.
ADOBE PREMIERE 6.5 User Guide To scale one or more objects: Select an object or Shift-click to select multiple objects. Do one of the following: To scale the width, either drag any object’s left or right side points in the drawing area,. Using the Adobe Title Designer Using object styles With the Adobe Title Designer, you can apply a custom style to each object or group of objects you create. Styles can consist of any variation of any properties you add to your objects. Adobe Title Designer, the baseline is the line underneath the text. You can apply more than one leading amount within the same paragraph; however, the largest leading value in a line of type determines the leading value for that line.
Text altered by adjusting the Distort value. Setting object styles for graphics When you select a graphic object in the Adobe Title Designer, you have several special options for applying styles to graphics. To change an object style for a graphic: Select the graphic object you want to modify. ADOBE PREMIERE 6.5 User Guide Specifies the shape of the graphic. The menu initially shows the selected Graphic Type graphic type as the chosen type. Choose another type from the menu to change the selected object. Depending upon the option you choose, one or more of the following values appears.
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You can fill any object you create with colors and textures, as well as adjust the fill opacity, sheen, and type. Changing fills The Adobe Title Designer includes many options for designing a variety of fills for your objects. To change a fill for an object: Select the object you want to fill. ADOBE PREMIERE 6.5 User Guide Creates a gradient fill composed of four colors, with a color emanating 4-Color Gradient from each of the object’s corners. Set the following options for this fill type: Color specifies the color that emanates from each corner of the object. Double-click. Offset Loading textures You can map a texture to any object in the Adobe Title Designer.
To add a texture, you first load it from a bitmap or a vector file of your choosing. You have several options for adjusting the textures once you have loaded them. ADOBE PREMIERE 6.5 User Guide. Face stretches the texture so that it fits the face exactly.
Adobe Premiere 6.5 Tutorial Video
Extended Character considers strokes when calculating the area over which the texture. is stretched. For example, if you have a large, 20 pixel outer edge, the texture will be stretched beyond the extents of the face. Deselect the Sheen or Texture option.
Creating strokes The Adobe Title Designer gives you great flexibility in adding an outline, or stroke, to your objects. You add both inner strokes and outer strokes. Inner strokes are outlines along the inner edge of your objects, and outer strokes are outlines along the outer edge. You can add up to 12 total strokes to your objects. ADOBE PREMIERE 6.5 User Guide To add a stroke to an object: Select the object.
In the Object Style section, expand the Strokes category. Click Add next to either Inner Stroke or Outer Stroke. Expand the Inner Stroke or Outer Stroke values of the stroke you just created. In the Object Style menu, choose either Add Inner Stroke, or Add Outer Stroke. Creating shadows Add drop shadows to any object you create in the Adobe Title Designer. The various shadow options give you full control over color, size, angle, spread, distance, and opacity.
To change the default characters on the swatches: Choose Edit Preferences Titler (Windows and Mac OS 9) or Adobe Premiere 6.5 Preferences Titler (Mac OS X). In the Style Swatches box, type up to two characters that you would like to appear on the style swatches. CHAPTER 1 Using the Adobe Title Designer Creating and applying styles Creating a style consists of saving the object styles you’ve added to your design. Once you’ve created a style, a swatch appears in the Style section displaying the attributes you have selected. In the Styles section, select the style you want to set as the default style.
Choose Set Style As Default from the Styles menu. The Adobe Title Designer applies this style to each object you create from this point and retains the setting when you save the title. Titles that move vertically over the footage are called rolls. Titles that move horizontally are called crawls.
The Adobe Title Designer provides choices and settings that facilitate creating smooth, expert rolls and crawls. To preview the roll or crawl, place the finished title in the Timeline and generate a preview. To scroll a roll or crawl in the Adobe Title Designer: Note: Objects must extend beyond the borders of the work area before the scroll bars will scroll. Using the Adobe Title Designer Using tabs Similar to a standard word processor, the Adobe Title Designer uses tabs to assist in text alignment and justification.
When you create credits, especially rolling credits, tabs can help display the credits in professionally aligned and justified columns. You can set multiple tabs for any text object in the Adobe Title Designer. ADOBE PREMIERE 6.5 User Guide To view the tab stops without opening the Tab Stop dialog box: Choose Title View Tab Markers.
A check mark beside Tab Markers indicates that the tab stop viewing lines are on. When they are on, the yellow tab markers display for each text object you select.
CHAPTER 1 Using the Adobe Title Designer To change the duration of a title in the Timeline: Do one of the following: Drag its In or Out point. Select it, choose Clip Duration, and type a new duration. Chapter 2: Using the New Features in Premiere 6.5 Using Real-Time Preview Adobe Premiere 6.5 includes software-based Real-Time Preview among its Timeline preview options. You can preview the Timeline without any additional hardware.
Premiere’s Real-Time Preview supports all Premiere effects, transitions, transparencies, motion settings, and titles. Timeline previews without effects. Using the Adobe MPEG Encoder (Windows only) The Adobe MPEG Encoder is a Windows-only plug-in for Premiere 6.5 that creates high- quality MPEG-1 and MPEG-2 output for DVD, Super Video CD, and Video CD. The plug- in includes a variety of presets, making it easy to set the right parameters for generating MPEG files right from the Timeline.
Activate the Timeline and choose File Export Timeline Adobe MPEG Encoder. Select a clip in the Timeline and choose File Export Clip Adobe MPEG Encoder. Set any of the following options and click Export: Note: If you export with the default DVD option, the encoder creates separate audio and video files.
For information on specific presets, as well as other advanced parameters, see the Adobe MPEG Encoder Help PDF included on the CD or check out the user forum on the Adobe Web site. You can also search the World Wide Web for user groups dedicated to the Adobe MPEG Encoder for more information. ADOBE PREMIERE 6.5 User Guide To save a preset: In the Advanced MPEG Settings dialog box, select the Basic Settings tab.
Specify the preset or settings you want and click Save Settings. Specify a folder (use the Settings folder if you want the preset to appear in the Presets menu). Set options in the Movie Settings dialog box as desired, and then click OK. For more information on the Movie Settings dialog box, see online Help or the Adobe Premiere 6.0 User Guide. Note: Plug-in effects that are not compatible with Premiere, such as third-party plug-ins that are not certified by Adobe or other After Effects effects, may not work correctly in Premiere and may cause errors.
Only use certified compatible plug-ins with Premiere 6.5 and earlier. Crossfade mode). At 100%, only the first clip is visible. Changing this slider linearly over time gives you a standard crossfade (see online Help or the Adobe Premiere 6.0 User Guide for information on setting effect keyframes). To try the other blending modes, set Blend with Original to 0% to see the full effect of each mode. ADOBE PREMIERE 6.5 User Guide Specify how much detail is added to the lightning bolt Detail Level and Detail Amplitude and any branches.
Adobe Premiere 6.5 Tutorial
For Detail Level, typical values are between 2 and 3. For Detail Amplitude, a typical value is 0.3.
Higher values for either option are best for still images but tend to obscure animation. CHAPTER 2 Using the New Features in Premiere 6.5 Specifies the width of the inner glow, as specified by the Inside Color value. Core Width The Core Width is relative to the total width of the lightning bolt.
Specify the colors used for the lightning bolt's outer and Outside Color and Inside Color inner glows. ADOBE PREMIERE 6.5 User Guide Ramp This effect creates a color gradient, blending it with the original image contents. Create linear or radial ramps and vary the position and colors of the ramp over time. Use the Start and End of Ramp options to specify the start and end positions.
Use the Ramp Scatter control to disperse the ramp colors and eliminate banding. Do one of the following: Choose Edit Preferences Scratch Disks & Device Control (Windows and Mac OS 9).
Choose Adobe Premiere 6.5 Preferences Scratch Disks & Device Control. (Mac OS X). In the Device Control section, choose DV Device Control 2.0 from the Device menu. 19 creating in straight segment 21 converting from one type to exporting another 25 drawing with pen tool 21 MPEG files with Adobe MPEG deleting 24 customer support 6 Encoder 50 Apple DVD Studio Pro 53 arc tool 19.
17 titles 10 text box 17 Orientation command (titles) 17 round-corner rectangle tool 19 MPEG encoding round-rectangle tool 19 using the Adobe MPEG Encoder 50 path text MPEG export creating 16 safe zones and QuickTime File Exporter 53. 41 text tools style swatches Web documentation overview 4 using 16 setting default characters on 41 Web site for Adobe 5 titles styles wedge tool 19 adding to a project 47 applying to objects 42 changing duration of 47.
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